Christopher Jones//Jonesisdying
I will be performing alongside the awesomely naughty scuplture work of Klaus Seliger, as part of the Bielefelder Nachtansichten. The exhibition/performance will be at Sixto Friseure: Neustädterstrasse 16, 33602 Bielefeld; 29.4.23 18-00.
Two new videos are now on my Current Work page.
These are edits taken from the recent performance I gave in the Altstädter Nicolaikirche, Bielefeld, while supporting Manu Delago. See the videos here
A few shots and bits of video from my latest concert with clarinettist, Shabnam Parvaresh, in the old mill near Warendorf: home of artist, Klaus Seliger. A great night was had by all!
More details here on Klaus’ blog page.
Here’s a promo for my next live date, supporting Grammy-nominee, Manu Delago at the Altstädter Nicolaikirche, Bielefeld. Tickets are available here.
I will be playing support to the Grammy-nominated artist, Manu Delago, at the Altstädter Nicolaikirche, Bielefeld. Doors: 8pm.
05 May, 08 pm Müller & Girardet’s Misty Picture, for which I composed the soundtrack, will be screened at Rencontres Internationales Paris / Berlin
Program: Les absents
Paris, Centre Wallonie Bruxelles
Very happy to announce a forthcoming appearance at the Bunker Ulmenwall, Bielefeld on April 2nd with sound artist and sculptor, Julia Bünnagel. Doors open 7.30pm. Tickets available here.
A compilation of ‘work’ done over the last, rather strange year…
September 4, 2021 – January 9, 2022
I recently completed a soundtrack for Fountain, a new film by experimental film-maker, Christoph Girardet, commissioned specially by the Kunstmuseum Wolfsburg for their exhibition: Oil: Beauty and Horror in the Petrol Age.
Some recent good news from Bucharest: Christoph Girardet & Matthias Müller’s film, Misty Picture (2021) – for which I composed the score, has received a special mention from the jury of this year’s International Competition of the Bucharest International Experimental Film Festival:
“Films will never start like this anymore. A clear statement not only of nostalgia and melancholy, but which also speaks to a deeper layer of insecurity in a world where nothing stays the same. The trauma keeps itself hidden behind the images, but it is still present. Guided by the intense score by Chris Jones we move in circles, straight to our heart.“
Jonesisdying 